As with almost every music scene, for every band that bursts out of a city, there were five bands toiling away with little or no recognition. It's a combination of talent and catching lightning in a bottle, a random factor that influences the music tastes of the time, that makes a band famous. It was Nirvana's combination of slugdy 70s rock, punk sensibilities and distortion that made them famous. And it was Eddie Vedder's voice, good looks and his bands sense of melody that made Pearl Jam starts. But what about bands like Tad?
Tad was one of the many incestuous bands that roared out of the Seattle grunge era. Featuring members from historical Seatlle bands like Bundle of Hiss and Skin Yard, Tad was fronted by vocalist and guitarist Tad Doyle. They formed in 1988, just as the Seattle scene was starting to explode. They served as Nirvana's opening act on their Bleach tour, and shared space on the legendary Sub Pop label with Nirvana. Tad had more in common with Nirvana in their love of 70s sludge metal and melodic punk, though they were much heavier than Nirvana. I always loved the band's early tagline, "Tad puts the sheet back into metal."
Tad's first album was 1988's God's Balls, was produced by Jack Endino, who produced a lot of early grunge albums. It was a crunchy and loud effort that flew under the radar. It featured the wonderfully sludgy "Sex God Missy", which also appeared on the scene-setting Sub Pop compliation Sub Pop 200:
http://youtu.be/ryDelBsVSDY
Their second album, 1990's Salt Lick, produced by the legendary Steve Albini, began to get the band noticed. By 1991, the band had a solid, melodic, heavy sound, and they produced 8-Way Santa, which included the track "Jack Pepsi", which is a good encapsulating of the band's sound: Heavy, abrasive and decidedly redneck.
http://youtu.be/il066mCId1s
As grunge began to go mainstream, Tad found themselves unlikely major label signees, signing to Warner sublabel Giant, and putting out 1993's Inhaler. They served as Soundgarden's opener during this time. While the album failed to turn the band into stars, it had several well received songs, including "Leafy Incline", heavy and melodic at the same time:
http://youtu.be/f97blSGbM_4
They were dropped from Giant due to poor record sales, then released Live Alien Broadcasts in 1995, then followed up with Infrared Riding Hood for Elektra Records. The album was melodic and sludgy, typical for the band:
http://youtu.be/4focJ9et2sY
Grunge was well past it's expiriation date by the mid 90s. Tad released a single or two before finally breaking up in 1998. Tad Doyle went on to form Hog Molly in the early 200s.
Sunday, September 9, 2012
Tuesday, September 4, 2012
Latest Earshot Reviews
I'm finally back on the wagon reviewing more music for Earshot Online. Here's the latest reviews:
Bill Evans - In Good Company
Hermetic - Civilized City
The Plain Steel - Folk 'n Roll
S* + KK - Glyphs of Erebus Sublime
S.K. Robot - S.K. Robot
Solar Year - Waverly
Bill Evans - In Good Company
Hermetic - Civilized City
The Plain Steel - Folk 'n Roll
S* + KK - Glyphs of Erebus Sublime
S.K. Robot - S.K. Robot
Solar Year - Waverly
Monday, August 20, 2012
Salmon Arm 2012 Redux
One of the yearly musical highlight of the year in the BC Interior is always the Salmon Arm Roots and Blues Festival. Outside of anything in Vancovuer, it's the festival to be at during the summer. As usual, they had a stellar line up. Lately, the acts have been moving towards a younger crowd, but there was a lot to see and like this year.
I showed up on Sunday and headed straight back to the blues stage to catch the past part of Kelly Joe Phelps' set. He's a wonderfully soulful folk singer with a nice mastery of the folk guitar, and a veteran of the tour and recording business. I saw him play about 4 songs and he put on a fine understated show, mostly him sitting on a stool, picking and singing.
I stuck around the blues stage for the workshop coming up. Workshops are where 3-4 musicians are put on stage and are left to explore their music how they want. You often get some wonderfully inspired performances at these. This one had three member of the US/Canada blues act Floyd Lee Band (Lee himself was sick and didn't make it to the festival), Delta Blues player James "Super Chikan" Johnson and the mutant soul/funk/worldbeat of Hazmat Modine. Hazmat was one of the acts I'd hope I'd see. They're a seven piece that mixes every musican genre you can think off, and they have a brass section with a tuba. I love bands that can simultaneously pay respect to tradition while mixing the sound with other genres, and still make it listenable. Having seen them here makes me wish I had come on Saturday to see them do a set by themselves. Super Chikan too was another musician that impressed me. He, like so many of my musical heroes, is a junkyard musician, fashioning his own instruments from scratch and scrap. He was playing a cigar-box guitar with three strings here and sounded great doing it.
I hung around the blues stage again to catch a quick glimpse of soul legend Bettye LaVette, who, after starting in the 60s, fell into obscurity until Anti- Records picked her up for some recent work. I caught 3-4 songs from her before hunger got the best of me.
After getting some surprisingly non-greasy donair, I watched Calgary indy rockers Raleigh from the shade of a tent. This is the kind of band that the festival has been bringing in to attract a younger crowd. The three piece had a sombre, laid back style typical of today's indy rock, blending old time roots melodies into the mix too, mostly with a cello.
At the same stage, I saw the Black Pioneer Heritage Singers play a few songs. They're also from Alberta and do very traditional southern-style vocal gospel. I saw them down in Vernon a few years ago at the Rare Earth Festival, so I knew what they were about. I went to the Rare Earth festival with a friend who wasn't a music fan (beyond what's on the radio that is...) and I explained to her that I liked musicians who strive for authenticity and visit the old styles of music in a very traditional way. She said I was "weird" for liking music like this. Anyway...
I walked across the festival grounds to see Buckman Coe, a Vancouver based folk singer I had recently become interested in. His style immediately put me off. He had a huge back up band and played shirtless. His music wasn't like what he had on his albums either, instead moving in a more radio-friendly acoustic rock. I stuck around for 3 songs, then headed back to the blues stage again to be pleasantly surprised to find...
Coco Montoya! He's a contemporary blues artist with a powerful voice and a strong graps of blues rock. He did some nice up tempo tunes and a few slower one's. By the time Montoya finished, it was time for the main stage performances to start up.
First up was Cuff the Duke, a relatively new roots rock band from Ontario. They've been around to put out a handful of strong roots rock albums in the style of Blue Rodeo, making their sound familiar and distinctly Canadian at the same time. The festival showed their recent production sensibilities here. They had several camera operators on stage capturing everything, which was them put up on two big screen TVs, so everyone sitting way in the back could see what was going on.
The second act was another band I was hoping I'd get to see, The Shuffle Demons. The Demons are legends in Canadian jazz, and even had a couple of left-field hits in the 80s, most notably "Spadina Bus". They're a six piece, drums, trumpet, stand up bass and three saxophones. Their approach is fun and upbeat, melodic and raucous. The three sax attack leads to some awesome improvisation that most jazz bands can't approach, with all three playing off of each other, or taking turns soloing or doing call and response. And there's often spastic alto sax solos, which are great in my book. They did their standard funk-based jazz-rock style, but also through in a Mingus cover, which was also okay in my book. They were definitely the highlight of the festival for me.
http://youtu.be/q6_sLmuze98
The sun finally began to set around 8 PM. The day was mercilessly hot, with only a short break in the heat with some clouds in the afternoon. The setting sun brought some welcome cool air, but also brought out the bugs: wasps, flies and mosquitos. Serena Ryder had just started her set. She's a Canadian singer with an acoustic guitar, her voice having an old jazz/blues feel to it. I caught two of her songs before the bugs got too bad, bringing my day to an end.
Overall, the festival was great as usual, I've seen some better acts at the festival, but the Shuffle Demons and Hazmat Modine were worth the trip for sure. I bought a Shuffle Demons t-shirt and Hazmat's new album Cicada, which I'll be digging into soon!
I showed up on Sunday and headed straight back to the blues stage to catch the past part of Kelly Joe Phelps' set. He's a wonderfully soulful folk singer with a nice mastery of the folk guitar, and a veteran of the tour and recording business. I saw him play about 4 songs and he put on a fine understated show, mostly him sitting on a stool, picking and singing.
I stuck around the blues stage for the workshop coming up. Workshops are where 3-4 musicians are put on stage and are left to explore their music how they want. You often get some wonderfully inspired performances at these. This one had three member of the US/Canada blues act Floyd Lee Band (Lee himself was sick and didn't make it to the festival), Delta Blues player James "Super Chikan" Johnson and the mutant soul/funk/worldbeat of Hazmat Modine. Hazmat was one of the acts I'd hope I'd see. They're a seven piece that mixes every musican genre you can think off, and they have a brass section with a tuba. I love bands that can simultaneously pay respect to tradition while mixing the sound with other genres, and still make it listenable. Having seen them here makes me wish I had come on Saturday to see them do a set by themselves. Super Chikan too was another musician that impressed me. He, like so many of my musical heroes, is a junkyard musician, fashioning his own instruments from scratch and scrap. He was playing a cigar-box guitar with three strings here and sounded great doing it.
I hung around the blues stage again to catch a quick glimpse of soul legend Bettye LaVette, who, after starting in the 60s, fell into obscurity until Anti- Records picked her up for some recent work. I caught 3-4 songs from her before hunger got the best of me.
After getting some surprisingly non-greasy donair, I watched Calgary indy rockers Raleigh from the shade of a tent. This is the kind of band that the festival has been bringing in to attract a younger crowd. The three piece had a sombre, laid back style typical of today's indy rock, blending old time roots melodies into the mix too, mostly with a cello.
At the same stage, I saw the Black Pioneer Heritage Singers play a few songs. They're also from Alberta and do very traditional southern-style vocal gospel. I saw them down in Vernon a few years ago at the Rare Earth Festival, so I knew what they were about. I went to the Rare Earth festival with a friend who wasn't a music fan (beyond what's on the radio that is...) and I explained to her that I liked musicians who strive for authenticity and visit the old styles of music in a very traditional way. She said I was "weird" for liking music like this. Anyway...
I walked across the festival grounds to see Buckman Coe, a Vancouver based folk singer I had recently become interested in. His style immediately put me off. He had a huge back up band and played shirtless. His music wasn't like what he had on his albums either, instead moving in a more radio-friendly acoustic rock. I stuck around for 3 songs, then headed back to the blues stage again to be pleasantly surprised to find...
Coco Montoya! He's a contemporary blues artist with a powerful voice and a strong graps of blues rock. He did some nice up tempo tunes and a few slower one's. By the time Montoya finished, it was time for the main stage performances to start up.
First up was Cuff the Duke, a relatively new roots rock band from Ontario. They've been around to put out a handful of strong roots rock albums in the style of Blue Rodeo, making their sound familiar and distinctly Canadian at the same time. The festival showed their recent production sensibilities here. They had several camera operators on stage capturing everything, which was them put up on two big screen TVs, so everyone sitting way in the back could see what was going on.
The second act was another band I was hoping I'd get to see, The Shuffle Demons. The Demons are legends in Canadian jazz, and even had a couple of left-field hits in the 80s, most notably "Spadina Bus". They're a six piece, drums, trumpet, stand up bass and three saxophones. Their approach is fun and upbeat, melodic and raucous. The three sax attack leads to some awesome improvisation that most jazz bands can't approach, with all three playing off of each other, or taking turns soloing or doing call and response. And there's often spastic alto sax solos, which are great in my book. They did their standard funk-based jazz-rock style, but also through in a Mingus cover, which was also okay in my book. They were definitely the highlight of the festival for me.
http://youtu.be/q6_sLmuze98
The sun finally began to set around 8 PM. The day was mercilessly hot, with only a short break in the heat with some clouds in the afternoon. The setting sun brought some welcome cool air, but also brought out the bugs: wasps, flies and mosquitos. Serena Ryder had just started her set. She's a Canadian singer with an acoustic guitar, her voice having an old jazz/blues feel to it. I caught two of her songs before the bugs got too bad, bringing my day to an end.
Overall, the festival was great as usual, I've seen some better acts at the festival, but the Shuffle Demons and Hazmat Modine were worth the trip for sure. I bought a Shuffle Demons t-shirt and Hazmat's new album Cicada, which I'll be digging into soon!
Tuesday, August 14, 2012
Redd Kross - Researching the Blues
Redd Kross didn't fit that well in the 90s scene they came out of it. It seems only fitting they return into the 2010s when they're equally as out of place.
Redd Kross (who started as Red Cross but were forced to change their name after a lawsuit from the actual Red Cross assocation), came from the vibrant Los Angeles music scene of the 80s, merging garage rock with bubblegum pop and 60s psychedelic rock. Mainly the front for brothers Steve and Jeff McDonald, the band released their first album, Born Innocent, way back in 1981. It wasn't until 1990, with the major label release of Third Eye on AtlanticRecord that the band became better known, bouyed on several strong singles, most notably "Annie's Gone".
http://www.youtube.com/watch?v=cN4kgQvHFTg
After a break with Atlantic, the band released Phaseshifter on Polygram, which had two more solid singles, "Jimmy's Fantasy" (the video featuring an early appearance by actor Jason Lee) and "The Lady in the Front Row"
http://www.youtube.com/watch?v=Rs7RPjsFRNM
The band was also known for wild covers, having released one covers album back in 1984 called Twin Babes of Monsanto, and an album under the name of the Tater Totz (a band that also featured psych-pop weirdos The Three O'Clock) called Alien Sleestacks from Brazil. They also contributed a cover of the Brady Bunch's "Sunshine Day" for a low-budget film called Desperate Teenage Lovedolls, and a version of The Carpenters "Yesterday Once More" for I Wish I Was a Carpenter, a tribute album also featuring Sonic Youth among others.
http://www.youtube.com/watch?v=ejJwjddKLec
Until this years Researching the Blues, Redd Kross hadn't released a full length since 1997. The new album is their first in 15 years and their first for stalwart indie-rock label Merge Records. The first single is a great tune called "Stay Away from Downtown", with a fun kabuki-inspired video.
http://youtu.be/ryh-tsPQsj8
Redd Kross (who started as Red Cross but were forced to change their name after a lawsuit from the actual Red Cross assocation), came from the vibrant Los Angeles music scene of the 80s, merging garage rock with bubblegum pop and 60s psychedelic rock. Mainly the front for brothers Steve and Jeff McDonald, the band released their first album, Born Innocent, way back in 1981. It wasn't until 1990, with the major label release of Third Eye on AtlanticRecord that the band became better known, bouyed on several strong singles, most notably "Annie's Gone".
http://www.youtube.com/watch?v=cN4kgQvHFTg
After a break with Atlantic, the band released Phaseshifter on Polygram, which had two more solid singles, "Jimmy's Fantasy" (the video featuring an early appearance by actor Jason Lee) and "The Lady in the Front Row"
http://www.youtube.com/watch?v=Rs7RPjsFRNM
The band was also known for wild covers, having released one covers album back in 1984 called Twin Babes of Monsanto, and an album under the name of the Tater Totz (a band that also featured psych-pop weirdos The Three O'Clock) called Alien Sleestacks from Brazil. They also contributed a cover of the Brady Bunch's "Sunshine Day" for a low-budget film called Desperate Teenage Lovedolls, and a version of The Carpenters "Yesterday Once More" for I Wish I Was a Carpenter, a tribute album also featuring Sonic Youth among others.
http://www.youtube.com/watch?v=ejJwjddKLec
Until this years Researching the Blues, Redd Kross hadn't released a full length since 1997. The new album is their first in 15 years and their first for stalwart indie-rock label Merge Records. The first single is a great tune called "Stay Away from Downtown", with a fun kabuki-inspired video.
http://youtu.be/ryh-tsPQsj8
Sunday, August 12, 2012
Focus on the Local Scene - Bollokscraft Records
We introduce a new feature on Shellac and Vinyl today, focusing on the vibrant local music scene in Kamloops, BC.
Today, I stopped by the first Bollokscraft Bazaar, hosted by the good people at local record label and art collective, Bollokscraft Records.
Bollokscraft is a small label, only about a year old, and is the brainchild of local musician, artist and CFBX radio host Ronan McGrath. The label has a few releases under it's belt so far, mostly online releases, but they have made a few special physical releases.
I bought a nice copy of their latest release by noise/electronic act Kaleider called Denormalizer. The CD is blank, but richly illustrated with a colourful collage and features a download cars for the music online.
Next up for Bollokscraft is a release from All My Evils called The Rose Tree. Right now, it's just available online. You can check out this release and many others from the label on their website. Give them a donation and enjoy!
Ronan is also a blogger and has agreed to be interviewed for a future feature on local experimental music.
Here's a jam featuring Ronan on mandolin and local noise/electronic/folky Sean Luciw on guitar!
http://youtu.be/ZFLoWbykt38
Today, I stopped by the first Bollokscraft Bazaar, hosted by the good people at local record label and art collective, Bollokscraft Records.
Bollokscraft is a small label, only about a year old, and is the brainchild of local musician, artist and CFBX radio host Ronan McGrath. The label has a few releases under it's belt so far, mostly online releases, but they have made a few special physical releases.
I bought a nice copy of their latest release by noise/electronic act Kaleider called Denormalizer. The CD is blank, but richly illustrated with a colourful collage and features a download cars for the music online.
Next up for Bollokscraft is a release from All My Evils called The Rose Tree. Right now, it's just available online. You can check out this release and many others from the label on their website. Give them a donation and enjoy!
Ronan is also a blogger and has agreed to be interviewed for a future feature on local experimental music.
Here's a jam featuring Ronan on mandolin and local noise/electronic/folky Sean Luciw on guitar!
http://youtu.be/ZFLoWbykt38
Tuesday, August 7, 2012
RIP Bill Doss
With several high profile deaths of music stars lately (Kitty Wells, Levon Helm), the passing of Bill Doss was easy to overlook. Heck, I only learned about it after a chance look at Metafilter a couple of days ago. Bill Doss was a musician and record label producer, responsible mostly for the Elephant 6 Collective.
Doss got his start as a musician in the band that would eventually become Olivia Tremor Control. OTC played an intriguing mix of indy pop, psychedelic and experimental, specializing in minimalist pop, often performing songs less than 2 minutes long. OTC, along with psych-pop bands Neutral Milk Hotel and The Apples in Stereo formed the core of Elephant 6, a label that would become incredibly influential through the late 90s and early 2000s.
http://youtu.be/jUjd6DHAutU
As a musician, Doss was often doing side projects and performing with the rest of the Elephant 6 bands. In 2000, after OTC broke up, Doss formed The Sunshine Fix, a pop band with heavy psychedelic influences. He also was a member of the Apples in Stereo, joining the band in the late 2000s and serving as a main songwriter
http://youtu.be/JToCx0n0FlU
As part of the Elephant 6 Collective, Doss championed his own brand of indy rock, concentrating on spacy, psychedelic and experimental pop. He helped put out early albums from Of Montreal, Beulah, Elf Power and The Music Tapes.
http://youtu.be/B6gSSsCdFeA
Doss passed away on July 30, 2012 at the age of 43. No cause of death has been announced yet.
Doss got his start as a musician in the band that would eventually become Olivia Tremor Control. OTC played an intriguing mix of indy pop, psychedelic and experimental, specializing in minimalist pop, often performing songs less than 2 minutes long. OTC, along with psych-pop bands Neutral Milk Hotel and The Apples in Stereo formed the core of Elephant 6, a label that would become incredibly influential through the late 90s and early 2000s.
http://youtu.be/jUjd6DHAutU
As a musician, Doss was often doing side projects and performing with the rest of the Elephant 6 bands. In 2000, after OTC broke up, Doss formed The Sunshine Fix, a pop band with heavy psychedelic influences. He also was a member of the Apples in Stereo, joining the band in the late 2000s and serving as a main songwriter
http://youtu.be/JToCx0n0FlU
As part of the Elephant 6 Collective, Doss championed his own brand of indy rock, concentrating on spacy, psychedelic and experimental pop. He helped put out early albums from Of Montreal, Beulah, Elf Power and The Music Tapes.
http://youtu.be/B6gSSsCdFeA
Doss passed away on July 30, 2012 at the age of 43. No cause of death has been announced yet.
Thursday, July 26, 2012
Forgotten Music #15 - Dogs Die in Hot Cars - "I Love You 'Cause I Have to" (2004)
This band should have been huge. Instead, they're a footnote in history, Scotland's Dogs Die in Hot Cars take some obvious cues from some new wave legends, notably the quirky pop sensibilities of XTC and the manic energy of some of Scotland's greatest 80s acts like The Fire Engines and Orange Juice. The band took several years to bring their music vision together, forming in 1997 but not releasing anything until a single for One Little Indian Records in 2003. In 2004, they released their debut full length called Please Describe Yourself, a new wave influenced album full of classic jangly and upbeat British style rock.
The band had three singles of the album, the most successful of which was "Godhopping", which peaked at #24 on the UK charts. A second album never truly came together. After the band recorded some demos, they split up but released the album they planned on releasing free on the internet.
"I Love You 'Cause I Have to" is just one of several great songs on their only album. This is one is very worthwhile to track down if you love UK new wave.
http://youtu.be/AeywCfxYcas
The band had three singles of the album, the most successful of which was "Godhopping", which peaked at #24 on the UK charts. A second album never truly came together. After the band recorded some demos, they split up but released the album they planned on releasing free on the internet.
"I Love You 'Cause I Have to" is just one of several great songs on their only album. This is one is very worthwhile to track down if you love UK new wave.
http://youtu.be/AeywCfxYcas
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